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Hood film
Hood film is a film genre originating in the United States, which features aspects of urban African-American or Hispanic-American culture such as hip hop music, street gangs, maras, racial discrimination, broken families, drug use and trafficking, illegal immigration into the United States and the problems of young men coming of age or struggling amid the relative poverty and violent gang activity within such neighborhoods.
==Criteria==
Critic Murray Forman notes that the "spatial logic" of hip-hop culture, with heavy emphasis on place-based identity, locates "black youth urban experience within an environment of continual proximate danger", and this quality defines the hood film. In a 1992 essay in ''Cineaction'', Canadian critic Rinaldo Walcott identified the hood film's primary concerns as issues of masculinity and "(re)gaining manhood for black men".
Films that fit these criteria include ''Boyz n the Hood'' and ''Menace II Society''. Among the directors who have made films in this genre are John Singleton, Mario Van Peebles, F. Gary Gray, Hughes Brothers, and Spike Lee. The genre has also been parodied with such films as ''Don't Be a Menace to South Central While Drinking Your Juice in the Hood''.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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